Apostle St Philip| Art for Epiphany 2 B

John 1:43 The next day Jesus decided to go to Galilee. He found Philip and said to him, “Follow me.”

Apostle St Philip
GRECO, El
(b. 1541, Candia, d. 1614, Toledo)
Apostle St Philip
1610-14
Oil on canvas, 97 x 77 cm
Museo de El Greco, Toledo

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Previously posted January 15, 2012

The Baptism of Christ with a Donor| Art for Epiphany 1 B

Mark 1:9 In those days Jesus came from Nazareth of Galilee and was baptized by John in the Jordan.

The Baptism of Christ with a Donor
MORONI, Giovanni Battista
(b. 1525, Albino, d. 1578, Bergamo)
The Baptism of Christ with a Donor
1550s
Oil on canvas, 104 x 113 cm
Private collection
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Previously posted January 8, 2012

Christ Among the Doctors| Art for Christmas 2B

Luke 2:49b Did you not know that I must be in my Father’s house?”

Christ Among the Doctors
DÜRER, Albrecht
(b. 1471, Nürnberg, d. 1528, Nürnberg)
Christ Among the Doctors
1506
Oil on panel, 65 x 80 cm
Museo Thyssen-Bornemisza, Madrid
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Hurault Gospels | Art for Christmas 1B

John 1:1
In the beginning was the Word…

Hurault Gospels
Hurault Gospels
Portrait of Saint Jean and beginning of his Gospel
Reims, 2nd quarter of the 9th century
Bibliothèque nationale de France, manuscripts, Latin fol 265. 176-177
school of the Palace of Charlemagne
attributed to Greek artists of North Italy.
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Previously posted 12/30/2012

______________
Commentary by Hovak Najarian

 

Portrait of Saint Jean (John) and the Beginning of His Gospel, 9th Century, Illuminated Manuscript, Monastery at Reims, France

In the fifth century, Rome was sacked by Visigoths and Vandals, and threatened by Huns; it was conquered finally in AD 476 by Odoacer, a barbarian from a Germanic tribe. The eastern portion of the Roman Empire remained free from invasion, however, and its culture continued. Europe, on the other hand, faced very troubled times. By the ninth century, Latin was being lost as a unifying common language and literacy had declined greatly. Greek and Roman culture was almost forgotten. Small kingdoms and tribes fought to control their territories and the Church tried to hold on to its power and influence. During these unstable times, monasteries were places where literature, knowledge and Christian history was preserved. They were centers of learning.

In the eighth century, Charles I – a Frank known as Charlemagne – fought numerous wars, formed an empire, and was determined to re-establish literacy and culture among his people. Art played a key role in the renaissance he had in mind. Under Charlemagne, copying and originating illuminated manuscripts was a priority and at the monastery in Reims, under Archbishop Ebbo’s direction, gospel books such as “Saint John” were made. The portrait of John depicted at the front of his book shows him looking out at the viewer; his seated position is a much repeated pose copied from Byzantine sources. Although a quill and scroll are being held to indicate he is the writer of the gospel that bears his name, an eagle, the animal associated with him and included usually as an identifying feature, is missing. The Latin text starts with the very large decorative first letter “I” and to its right the letter “N.” The letter “N” also is large but almost hidden beneath its embellishment. Though spaced apart, the two letters spell the word “IN” which begins the introductory words of John’s Gospel; “IN PRINCIPIO ERAT VERBUM” (“In the beginning was the word”). The lacy designs, vines, and animal decorative work of the middle ages are not from Greek or Roman sources but the result of the assimilation of images brought into Europe by barbarian tribes.

Note

Making books at a monastery required a team of artists with specialized skills; these included not only calligraphers and painters but also people who prepared vellum, ground pigment, mixed inks, and bound books, Often goldsmiths were employed to create a book’s cover and embellish it with precious jewels.

The city of Byzantium was founded by Greeks in the fifth century BC and named after their king, Byzas. When the Roman Emperor Constantine moved his capital east to Byzantium in AD 330, the city was renamed Constantinople (now called Istanbul). The eastern portion of the Roman Empire was not called the “Byzantine Empire” during its time. Historians of the sixteenth century were responsible for that designation.

Hovak Najarian © 2012

The Annunciation| Art for B Advent 4

Luke 1:28 And he came to her and said, “Greetings, favored one! The Lord is with you.”

The Annunciation
GRECO, El
The Annunciation
1596-1600
Oil on canvas, 315 x 174 cm
Museo del Prado, Madrid
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Follow these links to see reduced size replicas that El Greco produced.

Museo Thyssen-Bornemisza, Madrid

Museo de Bellas Artes, Bilbao

Follow these links to see other treatments of the Annunciation that El Greco produced.

1568
Tempera on panel, 24 x 18 cm
Galleria Estense, Modena

1568-70
Oil on panel, 63 x 76 cm
Private collection

1595-1600
Oil on canvas, 91 x 66,5 cm
Szépmûvészeti Múzeum, Budapest

1608-14
Oil on canvas, 291 x 205 cm
Colección Santander Central Hispano, Madrid

c. 1570
Tempera on panel, 26,7 x 20 cm
Museo del Prado, Madrid

c. 1576
Oil on canvas, 117 x 98 cm
Museo Thyssen-Bornemisza, Madrid

1603-05
Oil on canvas, diameter: 128 cm
Hospital de la Caridad, Illescas

1600s
Oil on canvas, 128 x 83 cm
Toledo Museum of Art, Toledo, Ohio

François I as St John the Baptist | Art for B Advent 3

John 1:6 There was a man sent from God, whose name was John.

François I as St John the Baptist
CLOUET, Jean
(b. 1485/90, Bruxelles, d. 1541, Paris)
Portrait of François I as St John the Baptist
1518
Oil on wood, 96 x 79 cm
Private collection

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Francois I of France was a contemporary of Henry VIII. He seems to have attempted at times to steer a conciliatory course during the Reformation, before eventually pursuing tactics typical of a monarch of his times. Click to open the Wikipedia article on Francois I.

(previously posted 12/11/11)

St John the Baptist | Art for B Advent 2

Mark 1:4 John the baptizer appeared in the wilderness, proclaiming a baptism of repentance for the forgiveness of sins.

St John the Baptist
St John the Baptist
1513-16
Oil on panel, 69 x 57 cm
Musée du Louvre, Paris
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(previously posted 12/04/11)

The Second Coming of Christ | Art for B Advent 1

Mark 13:26 Then they will see ‘the Son of Man coming in clouds’ with great power and glory.

Last Judgment The Second Coming of Christ
stained glass window
St. Matthew’s German
Evangelical Lutheran Church
Charleston, South Carolina.

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(previously posted 11/27/11, updated 11/26/14)

Last Judgment | Art for A Christ the King

Matthew 25:44-46 “Then they also will answer, ‘Lord, when was it that we saw you hungry or thirsty or a stranger or naked or sick or in prison, and did not take care of you?’ Then he will answer them, ‘Truly I tell you, just as you did not do it to one of the least of these, you did not do it to me.’ And these will go away into eternal punishment, but the righteous into eternal life.”

Last Judgment
GIOTTO di Bondone
Last Judgment
1306
Fresco, 1000 x 840 cm
Cappella Scrovegni (Arena Chapel), Padua
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Click here to explore the Cappella Scrovegni.

Jael, Deborah and Barak | Art for A Proper 28

Judges 4:4 At that time Deborah, a prophetess, wife of Lappidoth, was judging Israel.

Jael, Deborah and Barak
BRAY, Salomon de
Jael, Deborah and Barak
1635
Oil on panel, 87 x 72 cm
Museum Catharijneconvent, Utrecht
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