Your attention please . . .

This past Sunday (8/28/11) we talked about encounters with God (Moses and the burning bush being our inspiration). In the conversation we noted our belief that God reaches out to us constantly—sometimes we’re paying attention, sometimes not. We noted that as we adjust our sight and hearing in prayer and worship and service, we become more and more aware, and more ready, to encounter God in the “ordinary” events of our lives. In the course of the conversation David shared a poem to highlight our understanding:

“Earth’s crammed with heaven,
And every common bush afire with God;
But only he who sees, takes off his shoes;
The rest sit round it and pluck blackberries.”

—Elizabeth Barrett Browning

We talked about coincidences, too.  As if to highlight what we considered “God’s timeliness” (versus coincidence) this arrived in my email this morning:

Holiness comes wrapped in the ordinary. There are burning bushes all around you. Every tree is full of angels. Hidden beauty is waiting in every crumb.

—Macrina Wiederkehr, O.S.B in A Tree Full of Angels

Pay attention, today (always), encounters with God are bound to be numerous.

9/11 Schedule for St. Margaret’s in Palm Desert, CA

Save the date (and time)! You are invited to save the dates and times for 10th Anniversary remembrances at St. Margaret’s and in the community of Palm Desert, CA.

  • Friday September 9th LABYRINTH WALK beginning at 7:30pm
  • Saturday, September 10th HIKE AND PRAY TO THE CROSS beginning at 6am
  • Sunday, September 11th REMEMBER IN WORSHIP
    • 8am Service of Holy Communion
    • 10am Service of Holy Communion with commemorative prayers and music
  • Sunday, September 11th COMMUNITY CONCERT & PICNIC
    • Begins at 7:15pm more details to follow

Details are being finalized as this is written, times and dates are firm—plan now to attend one or more of these events.

Two Fathers and Forgiveness: If they can do it . . .

Here is another story from our own day about forgiveness of “biblical proportions.”

As I re-read this article (from my “clippings” file) I thought again about the small acts of forgiveness that I have been asked to make. I thought again of the little annoyances that have the potential of becoming destructive prisons if simple words of forgiveness are never spoken. I also thought about the stories shared with me over the years of “heroic acts” of forgiveness that proved liberating: forgiving betrayals in the marriage relationship, forgiving coworkers whose dishonesty cost a job, forgiving family members for lies and half-truths leading to estrangement, and more. In both the little and the big moments of forgiveness there is seldom forgetfulness—one remembers the hurt, the wrong—but there is always a sense of freedom from the pain when the words of forgiveness can be spoken.

Let the big stories, such as these, inspire the small stories of forgiveness in your life. Also, let the big stories, such as these, inspire the the heroic acts of forgiveness to which you may be called. ~dan

Before the men sat in the kitchen, a humble place for such an event, they had walked in the garden. Two fathers, both raised in Catholic schools, both divorced from their children’s mothers, both who helped raise a son and a daughter, talked for more than an hour.

That the meeting took place seems miraculous. One man owns a business and had traveled from middle America. The other, in whose house they met, works in a New York state factory. They want the same thing: to save the son of the New York man from execution.

The father from Oklahoma, Emmett E. “Bud” Welch, had buried his daughter, Julie-Marie, on a 1995 spring day.

New York state resident William McVeigh is the father of the man sentenced to die for killing Julie-Marie and 167 others on April 19, 1995, in the Oklahoma City bombing of the Murrah Federal Building.

via Oklahoma City Bombing: Two Fathers and Forgiveness – April 2000 Issue of St. Anthony Messenger Magazine Online.

Is it possible to forgive like this really? Today? Ever?

Ah, Joseph! His own brothers hated him, (Genesis 37:4), and kidnapped him, (Genesis 37:23). They had even planned to murder him, (Genesis 37: 18ff). They “settled” for selling him into slavery, (Genesis 37:28), a possible if not likely death sentence.  (1)

  • Instead of revenge, Joseph forgave and embraced his brothers. (Genesis 45:1-15)

As Sherry and I prepared for Sunday’s Forum (8/14) she asked a really good questions:

A spectacular example of forgiveness and generosity of spirit:  how can Joseph do that?  Is forgiveness on this scale unreasonable to expect of mere mortals?

The Forum took up the question. Some of our number felt that Joseph may have needed to ask forgiveness of his brothers, suggesting that he may have baited them into their treachery. The discussion was lively and not always what you would expect.

My answer to Sherry’s question about forgiveness: “Yes, mere mortals are capable of such forgiveness.” You and I are, with God’s grace, capable of both ordinary and extraordinary forgiveness. Some examples:

  • We’ll start out close to home: child-parent issues. Bryan McGuire offers what he learned about his dad when he himself became a father; Bryan learned and offered forgiveness: Forgiving my dad (an audio piece from This I Believe)
  • Another audio clip from This I Beiieve: The Long Road to Forgiveness by Kim Phuc who was badly burned by Napalm in 1972 in Viet Nam. She shares her story of being able to forgive. [Transcript of this piece with the photo of Kim Phuc in 1972 after her village was attacked]
  • From 9/11 – Two 9/11 mothers who found forgiveness and friendship – this video speaks to us of the forgiveness found by two women — whose family members were on opposites sides of the 9/11 tragedy — one of whose sons contributed to the death of the other’s son. Click on the image below to see this powerful video.
  • Beyond the 11th – a website detailing the effort of 2 American widows—both pregnant when their husbands were killed in the 9/11 attacks—to help widows in Afghanistan. A documentary, Beyond Belief, is available on Netflix.

The effort to forgive requires effort (and grace, I believe). We all have stories to tell. We can help each other by telling the stories. What stories inspire you? Leave a comment, start a conversation.

____________
(1) WorkingPreacher.org for August 14, 2011. Commentary on Genesis (Alt. 1st Reading) by Wil Gafney

Ever want to “smite” someone?

Joseph made himself known to his brothers…

Hated by siblings? Betrayed? Treated unfairly? Abandoned? Sold as a slave? Hurt? If you are Joseph this is part of your story as you encounter your brothers after their destructive actions (See Genesis 37 read in church on 8/7/11 and Genesis 45 read in church Sunday 8/14/11 ).

How great, if he was human at all (and I believe he was), must have been his desire to take revenge, to “smite” his brothers then and there, to wreak his own kind of destruction on them and their families? He had the power to satisfy that urge.

Instead of smiting (what we expected, if we were honest) we heard that Joseph revealed who he was (apparently he was unrecognizable at first), invited his brothers to draw closer to him, he forgave them their hatred and treachery, and he embraced each one and wept with them in the moment of forgiveness. Here is a story of forgiveness of “biblical proportions.” It leaves me with many questions.

Foremost question: Is this kind of forgiveness (of biblical proportion) possible today? My one word answer, “Yes.” Which then leads to a host of questions: How is this possible? Are there any contemporary (20th and 21st century) models of such forgiveness out there? Am I capable of such forgiveness? Are we capable of such forgiveness? What role do we play in such forgiveness? What is God’s role in such forgiveness? What is at stake? I’ll admit I have more questions than answers. How about you?

I’ll have more to say about this passage—it is rich with mystery—but for now, I offer this poem as a way into the mystery of forgiveness:

Forgiveness

Forgiveness is the windblown bud
which blooms in placid beauty at Verdun.

Forgiveness is the tiny slategray sparrow
which has built its nest of twigs and string among the shards of glass
upon the wall of shame.

Forgiveness is the child
who laughs in merry ecstasy beneath the toothed fence
that closes in Da Nang.

Forgiveness is the fragrance of the violet
which still clings fast to the heel that crushed it.

Forgiveness is the broken dream
which hides itself within the corner of the mind oft called forgetfulness
so that it will not bring pain to the dreamer.

Forgiveness is the reed
which stands up straight and green
when nature’s mighty rampage halts, full spent.

Forgiveness is a God who will not leave us after all we’ve done.

____________
A poem by George Roemisch and quoted by Dear Abby in her column Feb. 10, 1998.

Ever heard someone talk about “lectio”? Want to know more?

Lectio Divina is Latin for spiritual or sacred reading. It is a simple method of praying the scripture that has deep roots in the Benedictine tradition. —Monasteries of the Heart

If you have ever heard someone say they were doing, practicing, or simply “in” lectio it was their way of saying they were reading sacred texts in a prayerful way. I have also heard it used (and use “lectio” myself) to mean prayerful reading of non-biblical texts meant to excite, enlarge, expand, or even quiet, the spirit.

Today, in the time I set aside for lectio I found this post. Like the author, Lowell Graham, I have found the practice of lectio has opened “a rich, luminous connection with the sacred text” and, I would add, even texts like his.

Whenever I read the story of Bartimaeus, something settles deep inside of me. This was the story that I first used when I was taught how to pray the scriptures using the ancient Benedictine method of Lectio Divina. The story has never been the same. From that brief time of prayer has come a rich, luminous connection with the sacred text.

He goes on to share the method of Lectio Divina that he—and so many others—use. I encourage you to read his short post: Lectio with Bartimaeus. Please note his counsel:

[The method I describe] is not intended as a four-step linear process, but rather as a movement between states of consciousness. Let your practice move naturally back and forth through these moments.

I also encourage you to investigate Monasteries of the Heart and their introduction and invitation to Lectio Divina.

Finally, I encourage you to try to make lectio part of your daily routine. Share your questions or comments here. Start a conversation about lectio, find encouragement for making this part of your daily routine, or find affirmation for something you have been doing for a long time without knowing it had a name and a rich history.

YOSEF

After reading Everett Fox’s excellent introduction from “The Five Books of Moses”, this time on Joseph, I can’t help but regret how quickly our lectionary must move, as we consider only two excerpts in two weeks – betrayal and reconciliation. O well, we can still read the whole account for ourselves.

YOSEF

(Genesis  37-50)

THE STORIES  ABOUT THE LAST PATRIARCH FORM A COHERENT WHOLE, LEADING SOME to dub it a “novella.” It stands well on its own, although it has been consciously and artfully woven together into both the Yaakov cycle and the entire book.

Initially the  tale is one of family emotions, and it is in fact extreme emotions which give  it a distinctive flavor. All the major characters are painfully expressive of  their feelings, from the doting father to the spoiled son, from the malicious brothers to the lustful wife of Potifar, from the nostalgic adult Yosef (Joseph) to the grief-stricken old Yaakov (Jacob). It is only through the subconscious medium of dreams, in three sets, that we are made to realize that a higher plan is at work which will supersede the destructive force of these emotions.

For this is a story of how “ill” -with all its connotations of fate, evil, and disaster is changed to good. Despite the constant threat of death to Yosef, to the Egyptians, and to Binyamin (Benjamin), the hidden, optimistic thrust of the story is “life,” a word that appears in various guises throughout. Even “face,” the key word of the Yaakov cycle which often meant something negative, is here given a kinder meaning, as the resolution to Yaakov’s life.

A major subtheme of the plot is the struggle for power between Re’uven  (Ruben) and Yehuda (Judah).
Its resolution has implications that are as much tribal as personal, for the tribe of Yehuda later became the historical force in ancient Israel as the seat of the monarchy.

Although many details of the narrative confirm Egyptian practices, those practices actually
reflect an Egypt considerably later than the period of the Patriarchs (Redford). Of interest also is the prominence of the number five in the story, a detail that is unexplained but that gives some unity to the various sections of text.

In many ways  the Yosef material repeats elements in the Yaakov traditions. A long list could be compiled, but let us at least mention here sibling hatred, exile of the hero, foreign names, love and hate, dreams, and deception-even so detailed as to duplicate the use of a goat-kid. But its focusing on a classic rags-to-riches plot, with the addition of a moralistic theme, make the Yosef story a distinctive and always popular tale, accessible in a way that the more difficult stories of the first three parts of Genesis are not.

Everett Fox,
The Five Books of Moses: A New English Translation with Commentary and Notes
(New York: Schocken Books, 1995).

http://www.clarku.edu/departments/foreign/facultybio.cfm?id=365

Remembering artists

Things are not all so comprehensible and expressible as one would mostly have us believe; most events are inexpressible, taking place in a realm which no word has ever entered, and more inexpressible than all else are works of art, mysterious existences, the life of which, while ours passes away, endures. —Rainer Maria Rilke from Letters to a Young Poet.

On August 5th the Episcopal Church remembers Albrecht Dürer. Matthias Grünewald, Lucas Cranach the Elder, Artists.In doing so the Church commemorates all artists and the celebrates and give thanks for the role of art in forming faith and encouraging faith. I tend to be a “visual learner.” Seeing is, for me, the key to learning. As I think about art in the church I am amazed by how much of my faith is informed by what I have seen.

Pictures in story books and illustrated bibles, mass produced plaster and plastic statues, rosaries with beads of all kinds, crucifixes (I grew up Roman Catholic) with poorly formed bodies or bodies gruesome and bloody (but modestly clothed) in their depiction of death, and so on. The art was all around me; I was learning something, (most of which is still being “unlearned”), but mostly this art was simply “background noise,” static. My entry into mystery was unexpected and unforgettable. Having arrived in Rome to continue studies and seminary formation, a group of us were taken from the airport in Rome to the Piazza San Pietro and then into the basilica.

The proportions of the building were certainly awesome but the moment of mystery came as we moved to Michelangelo’s Pietà. In the blink of an eye I was moved from tourist looking at art treasures in a big church to a man in the presence of a profound mystery of life and death, of sorrow and hope, of brutal reality and fragile tenderness. I had forgotten to breathe, I was looking through eyes filled with tears. How did this happen? What just happened? How can stone have such power? How can a “mere mortal” find such power and mystery and beauty in a hunk of quarried marble?

Since that day I have continued to learn. I continue to seek out such beauty and mystery. In my own feeble way I have enjoyed opening my heart to the mysteries seen by the artist and shared with us. I am proud that our church chooses to remember all artists as we commemorate these artists. I hope that you have your own story to tell about the art that has whisked you from this world into realms unexpected, mysterious, and transformative. Please do leave your story here. Leave a comment, start a conversation.

We have selected one work from each of the artists commemorated by the church and will post them here with additional links and more information. Perhaps you would share some of your favorite works by these artists. Perhaps you will share links to your favorites. Keep the conversation going. Thanks.

Dream Vision, Albrecht Dürer, August 5


 DÜRER, Albrecht
(b. 1471, Nürnberg, d. 1528, Nürnberg)
Click to open Web Gallery of Art Artist Biography and to explore other works by this artist.

Dream Vision
1525
Watercolour on paper, 30 x 43 cm
Kunsthistorisches Museum, Vienna
Click to open Web Gallery of Art display page.
 Click on their image to enlarge/fit page etc.

 While Dürer is well known for his woodcuts and naturalistic watercolor I thought this work particularly interesting because of our recent class discussion of dreams and because it’s not that often we have the artists explanation with the painting.

The Isenheim Altarpiece, Matthias Grünewald, August 5


 GRÜNEWALD, Matthias
(b. 1470/80, Würzburg, d. 1528, Halle)
Click to open Web Gallery of Art Artist Biography and to explore other works by this artist.

The Resurrection (detail) Isenheim Altarpiece
c. 1515
Oil on wood
Musée d’Unterlinden, Colmar
Click to open Web Gallery of Art display page.
 Click on their image to enlarge/fit page etc.


This work of the Resurrection is my personal favorite but it is part of an intricate assembly in The Isenheim Altarpiece. Click here for several pages exploring the entire work.