
Israel Demands a King, engraving, 1778, J. Winter, active 18th century.
This engraving was published in The Bible and its Story, 1909, Edited by Charles Horne and Julius Brewer.
Reading: 1 Samuel 8:4-11, (12-15), 16-20, (11:14-15)
Commentary by Hovak Najarian
When the prophet Samuel was advanced in years the Israelites began to worry about their future. Who would be their leader and how would they be able to deal with their enemies? The elders went to Samuel with their concerns and said “You are old and your sons do not follow your ways, appoint for us a king to govern us, like other nations.” Samuel was displeased that they asked for a king. When he prayed, God instructed him to listen to the people, but also to warn them solemnly about what they could expect if they were to bed given a king. Samuel warned the elders to be careful about what they wished but they would have none of it and said, “No… we are determined to have a king…
Winter’s Israel Demands a King (detail above) the figures are placed in an open courtyard and strong opposing opinions are suggested by a face-off between Samuel and the elders. Samuel, a slightly hunched over old man, is at the left. He has assumed a solid stance and is pointing forcefully with both index fingers as he states his opposition to Israel having a king. To the right an animated spokesperson for the elders is leaning forward as he argues forcefully to make a point. He seems ready to interrupt Samuel at any moment. The gestures of the elders are exaggerated for effect and their claw-like hands are emphasized. A young man standing behind Samuel seems to be taken aback by the demanding elders. Have they no respect … how could they talk to Samuel like that? After listening, praying, and explaining what it would be like to have a king, Samuel followed the people’s wishes and anointed a king.

J. Winter, Israel Demands a King (full engraving)
In medieval art, illustrations were added to enhance the text of gospel books. Often subjects were events in the life of Jesus, Mary, his mother and the Apostles, and Old Testament kings, prophets and events in other’s lives were illustrated. Illustrations also presented artists with an opportunity to venture into less-depicted subjects but sometimes these did not have visual impact. An engraving of Samuel arguing with elders could not compete with the drama of Moses and the Israelites crossing the Red Sea or Elijah ascending to heaven in a fiery horse drawn cart. When a subject lacked action an artist was challenged to generate interest by staging the subject in a dramatic way. This could engage a viewer and describe a work’s subject but often these were not enough. The arrangement of figures in Winter’s Israel Demands a King requires knowledge of the biblical text in order to understand the subject being depicted.
At mid-fifteenth century the printing press was invented and by the end of the century, books were being published. Instead of hand-painted illustrations as in gospel books, art in the form of engravings, could be inked and printed with the text. Engravings continued to be popular even after the halftone (a photo-mechanical process) was introduced in the late nineteenth century.
Hovak Najarian © 2024
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