The Flood | Art for A Advent 1

Matthew 24:39-40 …and they knew nothing until the flood came and swept them all away, so too will be the coming of the Son of Man. Then two will be in the field; one will be taken and one will be left.

The Flood
ABAQUESNE, Masséot
(b. ca 1500, Cherbourg, d. 1564, Sotteville-lès-Rouen)
The Flood
Ceramic mural composition
Musée National de la Renaissance, Écouen
Click image for more information.

Commentary by Hovak Najarian

The Flood, ceramic tile, 1550, Masséot Abaquesne, c.1500-1564

Clay often is regarded to be a lowly substance. It is formed by decomposed rock and organic matter and is used to make bricks and drainpipes. It is underfoot as pavers, and in art it is a material associated with pottery and the crafts. It is not used regularly by artists as a surface on which to paint. Masséot Abaquesne’s “The Flood,” depicting the landing of the ark, is an example of the problem with categories when art is shoe-horned into being either “fine arts” or “crafts.” Abaquesne used tiles, glaze, and metal oxides to create a painting on clay; not on wood panels or canvas.

Abaquesne had a successful ceramics business in Rouen, France. His studio specialized in majolica (muh-JAHL-i-kuh) and faience (pronounced fay-AHNS – French for Faenza, a major ceramic center in Italy), and he was influenced generally by Italian art. For “The Flood,” Abaquesne used a tiled surface instead of a large single piece because clay shrinks when it is fired and in the process, large pieces will tend to warp and not remain flat.

To make “The Flood,” a majolica technique was used. The earthenware tiles were fired at a low temperature then covered entirely with a white glaze but not fired again until after Abaquesne created his painting (on the unfired white surface) using coloring pastes made with oxides: cobalt for blue, iron for dark reddish brown and antimony for yellow. It was then fired in the kiln a second time. The work shown here is one of three created by Abaquesne on the subject of the flood. [Building the ark and boarding it are the subjects of the other two works.] This scene depicts the flood after the water has subsided and the ark has landed. In a dramatic depiction of the aftermath of the event, drowned figures are strewn about and a carrion-eating bird is dining on a dead horse. On the right side of the sky, a dove is returning to the ark with an olive branch and God is in a cloud on the left side observing everything below.

Note:

Majolica ware originated in Spain and during the Renaissance it became very popular throughout Europe. The name is believed to be derived from the Spanish island, Majorca.

In addition to a glazing technique,” faïence,” is a term given to a low fired non-clay material used in ancient Egypt for crafting objects such as small blue scarabs and hippopotami. When archeologists discovered these objects, the color reminded them of the blue glaze that was made famous in the town of Faenza, Italy. They referred to the material as “faience.” Although Egyptian faience is not glazed clay, the term has remained in use.

Hovak Najarian © 2013

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