John 3:14 And just as Moses lifted up the serpent in the wilderness, so must the Son of Man be lifted up,
MICHELANGELO Buonarroti
(b. 1475, Caprese, d. 1564, Roma)
The Brazen Serpent
1511
Fresco, 585 x 985 cm
Cappella Sistina, Vatican Click image for more information.
John 2:17 His disciples remembered that it was written, “Zeal for your house will consume me.”
Jesus’ cleansing of the Temple
Painted screen sculpture in the niches in the north transept, depicting Jesus’ cleansing of the Temple
1508-1519
Cathédrale d’Amiens
Polychrome relief sculpture
Amiens, France Click image for more information.
Mark 8:33 But turning and looking at his disciples, he rebuked Peter and said, “Get behind me, Satan! For you are setting your mind not on divine things but on human things.”
Get Thee Behind Me Satan
between 1886 and 1894
Tissot, James Jacques Joseph, 1836-1902
Watercolor
Brooklyn Museum
New York
Mark 1:13 He was in the wilderness forty days, tempted by Satan; and he was with the wild beasts; and the angels waited on him.
LANFRANCO, Giovanni
Christ Served by Angels
c. 1616
Oil on canvas, 100 x 126 cm
Museo Nazionale di Capodimonte, Naples Click image for more information.
Luke 2:49b Did you not know that I must be in my Father’s house?”
DÜRER, Albrecht (b. 1471, Nürnberg, d. 1528, Nürnberg) Christ Among the Doctors 1506 Oil on panel, 65 x 80 cm Museo Thyssen-Bornemisza, Madrid Click image for more information
Hurault Gospels Portrait of Saint Jean and beginning of his Gospel Reims, 2nd quarter of the 9th century Bibliothèque nationale de France, manuscripts, Latin fol 265. 176-177 school of the Palace of Charlemagne attributed to Greek artists of North Italy. Click image for more information.
Previously posted 12/30/2012
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Commentary by Hovak Najarian
Portrait of Saint Jean (John) and the Beginning of His Gospel, 9th Century, Illuminated Manuscript, Monastery at Reims, France
In the fifth century, Rome was sacked by Visigoths and Vandals, and threatened by Huns; it was conquered finally in AD 476 by Odoacer, a barbarian from a Germanic tribe. The eastern portion of the Roman Empire remained free from invasion, however, and its culture continued. Europe, on the other hand, faced very troubled times. By the ninth century, Latin was being lost as a unifying common language and literacy had declined greatly. Greek and Roman culture was almost forgotten. Small kingdoms and tribes fought to control their territories and the Church tried to hold on to its power and influence. During these unstable times, monasteries were places where literature, knowledge and Christian history was preserved. They were centers of learning.
In the eighth century, Charles I – a Frank known as Charlemagne – fought numerous wars, formed an empire, and was determined to re-establish literacy and culture among his people. Art played a key role in the renaissance he had in mind. Under Charlemagne, copying and originating illuminated manuscripts was a priority and at the monastery in Reims, under Archbishop Ebbo’s direction, gospel books such as “Saint John” were made. The portrait of John depicted at the front of his book shows him looking out at the viewer; his seated position is a much repeated pose copied from Byzantine sources. Although a quill and scroll are being held to indicate he is the writer of the gospel that bears his name, an eagle, the animal associated with him and included usually as an identifying feature, is missing. The Latin text starts with the very large decorative first letter “I” and to its right the letter “N.” The letter “N” also is large but almost hidden beneath its embellishment. Though spaced apart, the two letters spell the word “IN” which begins the introductory words of John’s Gospel; “IN PRINCIPIO ERAT VERBUM” (“In the beginning was the word”). The lacy designs, vines, and animal decorative work of the middle ages are not from Greek or Roman sources but the result of the assimilation of images brought into Europe by barbarian tribes.
Note
Making books at a monastery required a team of artists with specialized skills; these included not only calligraphers and painters but also people who prepared vellum, ground pigment, mixed inks, and bound books, Often goldsmiths were employed to create a book’s cover and embellish it with precious jewels.
The city of Byzantium was founded by Greeks in the fifth century BC and named after their king, Byzas. When the Roman Emperor Constantine moved his capital east to Byzantium in AD 330, the city was renamed Constantinople (now called Istanbul). The eastern portion of the Roman Empire was not called the “Byzantine Empire” during its time. Historians of the sixteenth century were responsible for that designation.
RNS: You list the Bible as one of the essentials of “being Christian” but various people have diverse views about the Bible. Do you think every view of the Bible is equally “Christian” or is there some baseline?
RW: It’s always been true that Christians have had differences over reading the Bible. But it remains the text we have in common. And so long as one believes that the Bible is a gift from God and tells us what we need to know about God for our well-being here and hereafter, it’s still possible to think we have something seriously in common.
Things get difficult if you hold that the Bible is only a human product; but they also get difficult when the Bible is treated only as a set of timeless instructions from God, irrespective of the actual process by which the texts arose. The Bible needs to be read, prayerfully and discerningly, in the company of as many other believers as possible, so that we can learn some wisdom from each other as to what exactly God does want to tell us. Hearing the truth in Scripture means expecting the Holy Spirit to be at work both in the text and in the community that reads it.
Matthew 24:39-40 …and they knew nothing until the flood came and swept them all away, so too will be the coming of the Son of Man. Then two will be in the field; one will be taken and one will be left.
ABAQUESNE, Masséot (b. ca 1500, Cherbourg, d. 1564, Sotteville-lès-Rouen) The Flood Ceramic mural composition Musée National de la Renaissance, Écouen Click image for more information.
Commentary by Hovak Najarian
The Flood, ceramic tile, 1550, Masséot Abaquesne, c.1500-1564
Clay often is regarded to be a lowly substance. It is formed by decomposed rock and organic matter and is used to make bricks and drainpipes. It is underfoot as pavers, and in art it is a material associated with pottery and the crafts. It is not used regularly by artists as a surface on which to paint. Masséot Abaquesne’s “The Flood,” depicting the landing of the ark, is an example of the problem with categories when art is shoe-horned into being either “fine arts” or “crafts.” Abaquesne used tiles, glaze, and metal oxides to create a painting on clay; not on wood panels or canvas.
Abaquesne had a successful ceramics business in Rouen, France. His studio specialized in majolica (muh-JAHL-i-kuh) and faience (pronounced fay-AHNS – French for Faenza, a major ceramic center in Italy), and he was influenced generally by Italian art. For “The Flood,” Abaquesne used a tiled surface instead of a large single piece because clay shrinks when it is fired and in the process, large pieces will tend to warp and not remain flat.
To make “The Flood,” a majolica technique was used. The earthenware tiles were fired at a low temperature then covered entirely with a white glaze but not fired again until after Abaquesne created his painting (on the unfired white surface) using coloring pastes made with oxides: cobalt for blue, iron for dark reddish brown and antimony for yellow. It was then fired in the kiln a second time. The work shown here is one of three created by Abaquesne on the subject of the flood. [Building the ark and boarding it are the subjects of the other two works.] This scene depicts the flood after the water has subsided and the ark has landed. In a dramatic depiction of the aftermath of the event, drowned figures are strewn about and a carrion-eating bird is dining on a dead horse. On the right side of the sky, a dove is returning to the ark with an olive branch and God is in a cloud on the left side observing everything below.
Note:
Majolica ware originated in Spain and during the Renaissance it became very popular throughout Europe. The name is believed to be derived from the Spanish island, Majorca.
In addition to a glazing technique,” faïence,” is a term given to a low fired non-clay material used in ancient Egypt for crafting objects such as small blue scarabs and hippopotami. When archeologists discovered these objects, the color reminded them of the blue glaze that was made famous in the town of Faenza, Italy. They referred to the material as “faience.” Although Egyptian faience is not glazed clay, the term has remained in use.
I wondered. I use Twitter and often find no time to either Tweet or read Tweets. I tried to imagine how a Pope could do this. Two things about this: the Pope is involved, and he has a lot of help. ~dan rondeau