He wrote a letter to Jesus (or did he?)

Having introduced Hovak Najarian I share his first post as an author. For those who pray the “Way of the Cross” also known as the “Stations of the Cross” the legend/tradition presented here is preserved in Station 6: “A woman wipes the face of Jesus.” Growing up Roman Catholic I KNEW the name of this woman: Veronica. But did I know the truth? Decide for yourself. Leave a comment. ~dan rondeau

Image of a face from the Shroud of Turin
The image of a face from the Shroud of Turin

King Abgar V of Edessa 

In the early part of the first century AD, a time when the Romans and the Parthians were dominant powers in Asia Minor and the Near East, Abgar V, a nephew to Tigranes the Great, was the king of Armenia.  In order to stay out of the way of both major powers, he moved his court to the Mesopotamian city of Edessa where he could remain on good terms with both nations.  Edessa prospered during this time but while Abgar was away on a trip to settle a dispute between the Armenians and Persians, he became ill.  He remained ill after he returned home.  Having heard reports of Jesus’ miracles of healing, he decided to invite him to Edessa.

The legend:

King Abgar sent his archivist and court painter, Hannan, with a letter asking Jesus to come to Edessa to heal his illness.  Hannan also was asked to paint a portrait of Jesus in order that Abgar could see his image.  A return letter from Jesus stated he was unable to come to Edessa but later would send one of his disciples.  Hannan made a portrait and returned to Edessa with the letter and painting.  In his Historia Ecclesiastica (AD 325), Bishop Eusebius of Caesarea wrote of the correspondence between Abgar and Jesus and included a text of the two letters.  There may have been letters exchanged but both letters published by Bishop Eusebius have been proven to be fabrications.  A painted image of Jesus (known as The Holy Face) is of questionable origin as well.  Several early icons depicting the face of Jesus are known but there is no evidence to confirm that any of them were painted from life or if one of them was painted by Hannan.  A few centuries later it was said Jesus produced The Holy Face himself by pressing a wet cloth to his face and causing the image to appear miraculously.

After the death of Jesus, his disciple, Thaddeus, came to Edessa and gave Abgar a cloth on which there was an image of Jesus (known as the Image of Edessa) – as a result of the visit and the power of the cloth, according to the legend, Abgar was converted and healed.  The cloth was folded in such a manner that only the face could be seen.  In 942 AD, under the threat of being overrun, the Image of Edessa was turned over to the Byzantines as part of a bargain to maintain peace.  When it was taken to Byzantium (later called Constantinople and now Istanbul) and unfolded, the full figure of a man was revealed.  It is believed this is the cloth that now is known as the Shroud of Turin (a linen cloth with an unexplained imprinted image of a man who had been crucified).  It has been suggested this may have been the actual cloth placed on Jesus at the time of his burial.

Inasmuch as the cloth remained folded for many years and only the face was seen, it is speculated the legend of Veronica’s veil also is based on this shroud.  According to a story that has no scriptural bases, a woman used her veil to wipe the sweat off Jesus’ face while he was carrying his cross to Golgotha.  Afterward, a miraculous image of his face appeared on the cloth.  Church fathers accepted this story as fact and gave this mythical woman the name Veronica; a name derived from vera icon (Latin for true image).  The story has become part of Roman Catholic Church legend.

In ancient times it was not unusual for myths, legends, and partial facts to be blended, modified and embellished; later they would be recounted as “tradition” or even reported as fact.  If a tradition were of a religious nature, often it would be incorporated into church worship services and festival days.

The current status of these legends:

The Armenian Apostolic Church:

In the Armenian Church, Abgar is regarded to be a saint and his story continues to be told as tradition.  The Church calendar honors “St. Abgar” in a worship service in December of every year and the name Abgar continues as an Armenian given name.   It also is the root of the surname Abgarian (also spelled Abkarian, or Abcarian); from the family of Abgar.

The Roman Catholic Church:

Despite an absence of Biblical reference or historical evidence that a person given the name Veronica ever existed, canonization took place and now “St. Veronica” is celebrated on special church festival days.  The whereabouts of the veil is obscure; it is said to be in the Vatican archives but other locations have been suggested.   A great number of churches and schools are named in honor of Veronica and it is a popular given name.

The Shroud of Turin

The Shroud of Turin underwent radiocarbon testing in 1988 and the result of the test indicated the cloth was made during the Middle Ages approximately 1300 years after the death of Jesus.  Unanswered questions remain, however, and the test result neither satisfied nor was accepted by people who believe the Shroud is, in fact, the actual cloth used to cover the body of Jesus.  The tested portion, they believe, was from a section that was a restoration and not part of the original cloth.  It has not been tested again.

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ARMENIAN CONNECTIONS
Hovak Najarian © 2008

About Hovak Najarian

College of the Desert Professor Emeritus (Art) Hovak Najarian

Updated: May 14, 2024

If you are new to this blog, I am pleased to introduce you to (Dr.) Hovak Najarian. Since 2011 Hovak has introduced us to artists, art techniques, and art history to keep us growing in the knowledge and love of the Lord.

After receiving his MA in Art at Columbia University Hovak and his wife, Margie, spent 3 years in Normal, IL on the art faculty of Illinois State University. In his own words, “We soon found that natives of Florida and California were no match for winters in Illinois.”

In 1966 Hovak and Margie relocated to Southern California when Hovak accepted a teaching position at College of the Desert in Palm Desert. He retired in 1994 and was honored with the title Professor Emeritus (Art) by the College of the Desert. Again, Hovak: “During that time [1966-1994], I was Chair of the Art Department for many years, returned to Columbia University and completed my doctorate, and with Margie, raised three wonderful sons.”

In his retirement, Hovak continues his own creative work, and, has been an active participant in the Sunday Morning Forum and a regular contributor to this blog. Hovak is active in St. Margaret’s Episcopal Church and in the Armenian community in the Coachella Valley which gives him a unique perspective to share. 

As we journey together I expect to learn more about art, art history, art as an expression of faith, and art as a shaper of faith. Together, let us hear what the Spirit is saying. ~Fr. Dan

Come into the wilderness a place of promise and hope

FROM THE ARCHIVES…

Note: From 1999-2003 Stan Hirsch facilitated the Sunday Morning Forum. He collected a wealth of information. To my delight he archived the material. In the weeks to come we’ll mine this archived material for Supplemental information on our work in the Year B Lectionary. Since space is not restricted, I may add to the original material from time to time. I encourage you to follow the links when given. Come back often, go exploring, keep learning. ~dan

Mark 1:9-13

Quote . . .Lent is a season of great hope, a season of movement into the loving embrace of our Father.

Lent is a time when we are put in mind that we live today in the Kingdom of God, as we shed the distractions in order to see the reality of God’s presence with us. But Lent also is the season that is most usually symbolized by the word “wilderness.” Wilderness always comes across as an unpleasant place, but it is a very frequent setting in Scripture…

The good news about Lent and the wilderness is that it is a time for formation and reformation. It is a time when we can be formed as a people of God and it is a time when we can be renewed in our commitment to Christ…

We are reminded too in the Gospel today that Jesus was not driven into the wilderness by Satan, he was driven there by the Holy Spirit. And at the end we are told that angels ministered to him. The wilderness is not a bad place. It is a place of great promise and hope. It is a place for stripping away of all the old dependencies that tear us down and coming to grips with total reliance on God—a God who loves us and wants for us freedom and prosperity, a God of plenty, a God of love. The route through the wilderness leads us from an unsatisfying life to a life of abundance. But if you are like me, you would just as soon avoid the wilderness because leaving the familiar, leaving the known, leaving the predictable, for unpleasant thoughts, wrestling with what we fear is an altogether inadequate faith to guide us through. We want to avoid the wilderness because it means we have to struggle with hard choices. Choices of temptation. It would be so much easier if we were simply animals of instinct and did not have to make choices. But if we were, we would never be able to embrace each other in love. Nor would we be able to embrace our God with love.

…The wilderness is a place of movement to good. When we go there in the Lenten season, we face the demons of insecurity and time pressures. We face our own demons of hypertension and self-doubt. We also know that we are moving towards Easter, the resurrection and the presence with God. [1]


[1] February 21, 1999, Lent — A Season of Hope, The Rev. Dr. Robert G. Certain

 Image: From the internet–http://travelerstrails.com

A Simple Lenten Pilgrimage

On last Sunday, David Burgdorf pointed out that Mark gives us a succinct pilgrimage as Jesus travels to be baptized and identified, is tempted, and returns to begin his ministry.
All the elements of pilgrimage are there – a change of venue leading to insight and a period of assimilation and then return with a new or renewed sence of purpose.

Some of you may have heard that I have set a Lenten task for myself; to invite every one I meet at Church to come visit St. Margaret’s Outreach Center on San Pablo Drive. My asking is not the pilgrimage. The pilgrimage is yours, if you decide to come.
My hope is that you may find and bring insight, assimilation and renewal to this work of the church.

Current hours of operation are Tuesday 7am-5pm for preparation and client services and Thursday 9am-10am for “Not by Bread Alone” a prayer service and discussion.
If you come Tuesday morning (back door) find Bob Kimball. If you come Tuesday afternoon find Chet Hecht.  If you come Thursday for prayers see David Rhodes.

Stanley Hirsch

B Lent 1, Art for Readings for February 26, 2012

BRAMER, Leonaert
(b. 1596, Delft, d. 1674, Delft)
Click to open Web Gallery of Art Artist Biography and to explore other works by this artist.

The Temptation of Christ
1645-55
Brush and gray ink, 94 x 109 mm
Hessisches Landesmuseum, Darmstadt
Click to open Web Gallery of Art display page. Click on their image to enlarge/fit page etc.

Make room (and time) for Lent

Lenten Meditations from the desert

“A traditional view of Lent is that it’s a time of restriction, sacrifice, and giving up things. But it can also be a time for expansion, rededication, and connection with others. Many people take on special devotional practices during Lent; others also make more time during this season to be in conversation with their spiritual communities.”Spirtuality & Practice email dated Feb. 18, 2012

Expand your mind and heart with the folks of St. Margaret’s this Lent, rededicate yourself to following Jesus Christ, find a connection with those you work with, socialize with and with whom you worship. Forty members of St. Margaret’s have each written a meditation for one of the days of Lent. We invite you “to observe a holy Lent” with us:

Three ways to receive the daily Lenten Meditations

  1. Go daily to the St. Margaret’s website and click the image to see the meditation of the day. This banner will be visible throughout Lent.
  2. “Follow” the Lenten Meditations blog (on WordPress) by using the Follow button in the right side bar (or at the bottom of blog page).
  3. Bookmark the Lenten Meditations blog in your browser and, in the 40 days of Lent, use the bookmark to go back to the blog where you will find a new meditation each day.

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About the image: a close up of Ocotillo flowers taken in the Santa Rosa Mountains above Palm Desert in March 2005 by Stan Shebs and posted on Wikimedia Commons.

B Epiphany Last, Art for Readings for February 19, 2012

GRÜNEWALD, Matthias
(b. 1470/80, Würzburg, d. 1528, Halle)
Click to open Web Gallery of Art Artist Biography and to explore other works by this artist.

An Apostle from the Transfiguration
c. 1511
Black chalk on brownish paper, heightened with white, 148 x 263 mm
Staatliche Kunstsammlungen, Dresden
Click to open Web Gallery of Art large image .


An Apostle from the Transfiguration
c. 1511
Black chalk on brownish paper, heightened with white, 146 x 208 mm
Staatliche Kunstsammlungen, Dresden
Click to open Web Gallery of Art large image.

I cannot find any finished work on The Transfiguration by Grünewald and assume these are preliminary studies for a planned work. Interesting that the artist would begin with the Apostles’ witness.
 

B Epiphany 6, Art for Readings for February 12, 2012

REMBRANDT Harmenszoon van Rijn
Click to open Biblical Art on the WWW to explore other works by this artist.

Artwork: Christ healing a leper
Artist: REMBRANDT Harmenszoon van Rijn
Date: C. 1655
Technique: Drawing
Location: Kupferstichkabinett, Berlin
Click to open Biblical Art on the WWW display page. Click on ‘IMAGE’ to enlarge.

B Epiphany 5, Art for Readings for February 5, 2012

BOSCH, Hieronymus
(b. ca. 1450, ‘s-Hertogenbosch, d. 1516, ‘s-Hertogenbosch)
Click to open Web Gallery of Art Artist Biography and to explore other works by this artist.

Mankind Beset by Devils (reverse of Noah panel)
1500-04
Oil on panel, diameter 32,4 cm (each)
Museum Boijmans Van Beuningen, Rotterdam
Click to open Web Gallery of Art display page. Click on their image to enlarge/fit page etc.

 
 

Mankind Beset by Devils (reverse of Rebel Angels panel)
1500-04
Oil on panel, diameter 32,4 cm (each)
Museum Boijmans Van Beuningen, Rotterdam
Click to open Web Gallery of Art display page. Click on their image to enlarge/fit page etc.

Candlemas Day is about … ?

On February 2nd we annually recall the Prestation of our Lord in the Temple. Here is an excellent summary of the commemoration (with some additional links).

Painting of Simeon meeting Mary and the Baby Jesus in the Temple.

Counting forward from December 25 as Day One, we find that Day Forty is February 2. A Jewish woman is in semi-seclusion for 40 days after giving birth to a son, and accordingly it is on February 2 that we celebrate the coming of Mary and Joseph with the infantJesus to the Temple at Jerusalem to offer sacrifice, both on behalf of Mary and on behalf of Jesus as a first-born male. As they did so, they were greeted by the aged Simeon.

In a Sunday-School pageant I once saw, the narrator said, “And now Simeon bursts into a spontaneous song of praise, assisted by the Temple Choir.” His song, called the Nunc Dimittis, has always had a prominent role in Christian worship. It has often been rendered in verse. [ … ]

On the other hand, Groundhog Day (“If the groundhog (or woodchuck, a kind of marmot, which burrows and hibernates) sees his shadow on 2 February, there will be six more weeks of winter.”) is strictly a secular holiday, confined, as far as I know, to the United States.

written by James Kiefer for Daily Prayer

A short history of Candlemas Day (also from Daily Prayer for Feb 2nd)

By the seventh century it had become the custom to begin the worship service on February 2 with candlelighting by the congregation gathered outside the worship area followed by a procession into the Church with all carrying their lighted candles. This was to relive Simeon’s experience of meeting the “light of nations” at the temple. The pastor Sophronius wrote in that century

Everyone should be eager to join the procession and to carry a light.

Our lighted candles are a sign of the divine splendor of the one who came to expel the dark shadows of evil and to make the whole universe radiant with the brilliance of his eternal light. Our candles also show how bright our souls should be when we go to meet Christ.

So let us hasten to meet our God.

The custom of beginning the worship on this festival with a candlelight procession is the origin of the day’s other name, “Candlemas.”

The festival day’s position at midwinterexactly midway between the winter solstice December 21 or 22 each year in the Northern Hemisphere, and June 20 or 21 in the Southern Hemisphere. and the spring equinox the day when daylight lasts for exactly 12 hourscaused it to be a time for taking inventory of one’s winter supplies. One English poem goes:

The provident farmer on Candlemas Day,

Hath half of his fires and half of his hay.

The day’s emphasis on light and life at midwinter gave rise to many superstitions and legends. Some believed that “if the day be clear and sunshiny, it portends a hard weather to come; if cloudy and lowing, mild and gentle season ensuing.” From that piece of weather folklore it is not too difficult to understand how our Pennsylvania Dutch descendants of Germanic peoples who emigrated to the United States (primarily to Pennsylvania), from Germany, Switzerland and The Low Countries prior to 1800 legend of Groundhog Day began.

By the seventeenth century the Presentation of Our Lord was understood to be the absolute end of the Christmas season. Indeed, Ash Wednesday the first day in the season of Lent can follow as early as just two days later on February 4. As the end of the Christmas festivities, it was the day to complete the removal of all the holiday decorations. This, too, became the cause of superstition:

Down with Rosemary, and so

Down with Bays and Mistletoe;

Down with Holly, Ivy, all

Where with ye drest the Christmas Hall;

That to the superstitious find

Not one least Branch there left behind

For look, how many leaves there be

Neglected there, maids, trust to me,

So many goblins you shall see.

(sheet music and links to audio)

via Morning Prayer.